There is one word and one word alone that comes to mind
completely when it comes to this film, and that is Vague. Though I would like
to elaborate on that, it seems this movie had no intention of doing that....
ever.
I walked into this film with
a slight distaste for one actor, and a great respect for another. So I was
ready for a mediocre movie, and that's exactly what I received. So I guess
that's a plus. Throughout the film I watched Joaquin Phoenix play a tortured soul
thinking, right. This is new; in fact this is exactly what I expected. The only
difference is that this one in particular, Freddie Quell, has no history to
grab onto, no torture that seems real in any way but the torture in his own
mind and body, (in which he seems to inflict regardless of situation) Then I'm
left wandering around in a quiet mindset of "why does Dodd (Philip Seamore
Hoffman's character) make me just feel sorry for his ever attentive wife that
you know absolutely nothing about because everyone's obsessed with a cause that
you don't fully understand"
I felt myself swimming in
characters never fully developed, hanging out with snippets of emotion and
sexual fantasies, and facing flash backs like they were my best friend from 4th
grade that I haven't seen in 20 plus years at an elementary school reunion. BUT
NO, that would be too much information, you might actually GET all the
undercurrents I’ve send out through the sailing water. The amoeba of the
enigmatic never seen shadowy idea of "the Master" is played until
there's no tune left in that lute, and as said by his son is "making it
all up as he goes along" which is pretty much what I felt about the entire
film itself.
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